cinematic color correction final cut pro x

The slider controls on the right are useful if you want to reset or tweak any adjustments. Click on a highlight area with the Light tool selected, for example, then drag down to darken brighter parts of the scene without changing the shadows.

With the Light (Shadows, Midtones, Highlights) or Color (Shadows, Midtones, Highlights) adjustment tool selected, you can adjust the brightness or saturation of specific tonal regions just by clicking and dragging on them. Once you’ve selected a tool, click on the image to add a control point, and then drag up or down to adjust it. It’s just a case of using the Camera dropdown options and selecting the appropriate Log setting.Ĭlick and hold on the controls at the top left of the screen to reveal the sub-options that are available (Image credit: Angela Nicholson/Digital Camera World) Cinema Grade can do this automatically using the Color Management tools, accessed by clicking on the arrow on the left of the screen. The first step if you shot in Log mode is to make the footage look a little more normal. The aim of the Base Correction phase is to ensure that all your shots have good exposure and color balance. Use the up and down keys on your keyboard to toggle through clips, and the left and right keys to step through frames until you find the right one. This opens the Base Correction section, with a frame from the clip under the playhead being displayed at the centre of the screen.

Then it’s simply a case of selecting the clips you want to grade and double-clicking on the Cinema Grade icon in the Effects panel, before clicking Open Controls in the Inspector panel.

Click Open Controls to begin (Image credit: Angela Nicholson/Digital Camera World)Īfter downloading and installing Cinema Grade, it’s accessed via the Effects window of Final Cut Pro. After the plug-in has been activated, Cinema Grade appears in the Inspector panel.

Cinematic color correction final cut pro x